I work with my ears first and foremost, guided by how I perceive music and sound along with my experience from listening. Understanding what a finished record needs to sound like and how to take it there is what I focus on.

I pick my crafting tools carefully with a ‘Less is more’ mindset. Each piece of gear must enhance the music-listening experience or remove a problem. Some tools I choose for more creative sculpting while others are for removing undesired distractions from your music. My main objective with tools is to have a consistently high-quality result that brings more creativity out of me without adding distraction.

I work in a finely tuned room, phase and time aligned, so I hear your music correctly.

I mainly work with analog gear, with some digital finishing touch-ups.

Analog Gear list:

ATC SCM 100 ASL Walnut classic

Dutch & Dutch 8C

Croockwood Custom M3 

Lavry Blue AD/DA 4496

Lynx Aurora (n)  AD/DA AES I/O

Terry Audio CEq

Maselec MEA-2

Thermionic Culture Pheonix MP

Maselec MLA-3 

Foote Control system P3S ME

Zulu - Passive Analog Tape simulator

Akai GX650 - Reel Tape

TC electronics - Fireworx

TC Electronics - Clarity M (metering)

Croockwood VU Meters

Audeze LCD-X (Leather Free)

Ollo S5X

Black Lion Audio - Revolution 2x2 - Headphone Mobile DAC

Trinnov ST-2 - Room Correction system